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9A0-045 exam Dumps Source : Adobe InDesign CS 2 ACE
Test Code : 9A0-045
Test Name : Adobe InDesign CS 2 ACE
Vendor Name : Adobe
Q&A : 158 Real Questions
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Adobe Adobe InDesign CS 2
SAN JOSE, Calif.--(company WIRE)--Nov. 1, 2005--Adobe systems incorporated (Nasdaq:ADBE) these days announced that its award-profitable web page design and editorial application applications, Adobe(R) InDesign(R) software and Adobe InCopy(R) utility, are being embraced international by means of techniques integrators and independent utility companies (ISVs) and their clients for newspaper publishing. These Adobe licensed programs integrators and ISVs encompass: superior Publishing know-how; advanced Technical solutions, Inc. (ATS); Atex; Digital expertise foreign (DTI); Harris & Baseview; Managing Editor Inc. (MEI); SAXOTECH; Unisys; and WoodWing application.
Integrators and ISVs are using Adobe's bendy web page design and copy-editing utility as a vital part of their common editorial, promoting, and pagination options to aid newspapers streamline publishing. by way of offering superior collaboration between editors and web page designers, the mixed InDesign and InCopy solution helps optimize design creativity and pleasant in an efficient, built-in workflow.
Newspapers global continue to flow to InDesign and InCopy
Newspapers of all sizes have adopted workflows in accordance with Adobe InCopy CS and InDesign CS software and are now relocating to InCopy CS2 and InDesign CS2. large newspapers adopting systems in response to Adobe utility encompass DTI clients La Nacion in Argentina, Pittsburgh publish Gazette, and megastar Tribune in Minneapolis/St. Paul, as well as the Guardian in the uk, a WoodWing software customer. Medium-sized newspapers, including Charleston, South Carolina's The publish and Courier, an ATS client, and WoodWing application consumer The Albuquerque Tribune have also implemented options according to Adobe InCopy CS and InDesign CS. area of interest newspaper Dose in Toronto, a Harris & Baseview client, is planning to convert its workflow to Adobe InCopy CS2 and InDesign CS2 utility.
"in the past, newspapers had to make a choice from productivity in managing their guidance with a couple of adult engaged on a page or story on the same time, or go for a design-lead strategy with a device developed around a single-user desktop publishing utility," referred to Alyson Williams, marketing director at DTI. "With publishing techniques in line with Adobe InCopy and InDesign, DTI has been in a position to provide consumers database assets and a beautiful array of inventive and copy-enhancing tools in a single, integrated gadget that saves hours daily in universal construction workflow."
Integrators, ISVs, and newspaper publishers cite several causes for their circulate to publishing systems based on Adobe InCopy CS2 and InDesign CS2: equipment that enhance design excellent; tight integration with different add-ons of Adobe inventive Suite 2 comparable to Adobe Photoshop(R) CS2, Illustrator(R) CS2, and Acrobat(R) 7.0 expert software; ease of repurposing print content for digital beginning; and strong workflow automation via XML and finished scripting languages guide for greater productive reuse of latest content and layouts.
"there has been a significant shift out there towards Adobe based options," spoke of Briggs Kilborne, president at Harris & Baseview. "purchasers desire the flexibleness of Adobe InDesign, Adobe InCopy, and the Adobe inventive Suite integrated into better of breed workflow programs like IQue and Jazbox."
superstar Tribune moves to Unified equipment in response to Adobe application
The famous person Tribune, one of the 20 largest newspapers in the u.s., has carried out a DTI equipment to guide editorial and promoting activities. via standardizing on an integrated device, including a unified database as well as page design and replica-enhancing software from Adobe, the big name Tribune is reducing the materials crucial to produce the newspaper, whereas increasing newspaper satisfactory and effectivity.
"DTI's built-in device, including InDesign and InCopy utility, facilitates accuracy and timeliness of content, as well as effortless repurposing across media," referred to faith Christine, IT information Publishing programs chief at superstar Tribune. "And that frees us to invest more creation time in the design and best of the product."
About Adobe systems integrated
Adobe is the world's leading provider of utility options to create, control and bring excessive-impact, reliable digital content. For greater suggestions, consult with www.adobe.com.
(C) 2005 Adobe techniques integrated. All rights reserved. Adobe and the Adobe brand, Acrobat, Illustrator, InCopy, InDesign and Photoshop are both registered trademarks or logos of Adobe techniques included in the united states and/or other nations. All different trademarks are the property of their respective owners.
Wednesday, November 02, 2005
Press unencumber from the issuing company
SAN JOSE, Calif.--Nov. 1, 2005-- Adobe techniques incorporated today announced that its award-successful page design and editorial utility applications, Adobe InDesign utility and Adobe InCopy utility, are being embraced global with the aid of systems integrators and unbiased utility carriers (ISVs) and their consumers for newspaper publishing. These Adobe licensed programs integrators and ISVs include: advanced Publishing expertise; superior Technical solutions, Inc. (ATS); Atex; Digital know-how overseas (DTI); Harris & Baseview; Managing Editor Inc. (MEI); SAXOTECH; Unisys; and WoodWing application. Integrators and ISVs are the use of Adobe's bendy page design and replica-editing utility as an integral part of their normal editorial, advertising, and pagination solutions to help newspapers streamline publishing. through providing more suitable collaboration between editors and web page designers, the mixed InDesign and InCopy answer helps optimize design creativity and pleasant in a good, built-in workflow. Newspapers international continue to move to InDesign and InCopy Newspapers of all sizes have adopted workflows in response to Adobe InCopy CS and InDesign CS application and at the moment are moving to InCopy CS2 and InDesign CS2. colossal newspapers adopting programs in response to Adobe software encompass DTI purchasers La Nacion in Argentina, Pittsburgh post Gazette, and celebrity Tribune in Minneapolis/St. Paul, as neatly as the Guardian within the united kingdom, a WoodWing utility customer. Medium-sized newspapers, including Charleston, South Carolina's The publish and Courier, an ATS customer, and WoodWing utility customer The Albuquerque Tribune have also carried out solutions in line with Adobe InCopy CS and InDesign CS. area of interest newspaper Dose in Toronto, a Harris & Baseview client, is planning to transform its workflow to Adobe InCopy CS2 and InDesign CS2 software. "in the past, newspapers had to choose between productiveness in managing their tips with a couple of adult working on a web page or story at the identical time, or go for a design-lead method with a gadget built around a single-consumer computing device publishing application," said Alyson Williams, advertising and marketing director at DTI. "With publishing methods based on Adobe InCopy and InDesign, DTI has been in a position to give shoppers database belongings and a pretty array of creative and replica-enhancing tools in a single, integrated equipment that saves hours day to day in common construction workflow." Integrators, ISVs, and newspaper publishers cite a couple of reasons for their circulate to publishing programs in response to Adobe InCopy CS2 and InDesign CS2: equipment that enhance design excellent; tight integration with other add-ons of Adobe artistic Suite 2 such as Adobe Photoshop CS2, Illustrator CS2, and Acrobat 7.0 knowledgeable utility; ease of repurposing print content for digital delivery; and potent workflow automation via XML and finished scripting languages help for extra effective reuse of present content material and layouts. "there was a major shift out there toward Adobe primarily based solutions," observed Briggs Kilborne, president at Harris & Baseview. "clients want the pliability of Adobe InDesign, Adobe InCopy, and the Adobe creative Suite built-in into better of breed workflow programs like IQue and Jazbox." famous person Tribune moves to Unified system in response to Adobe software The celebrity Tribune, one of the 20 biggest newspapers in the united states, has applied a DTI gadget to aid editorial and promoting activities. by means of standardizing on an integrated device, together with a unified database in addition to web page design and copy-editing application from Adobe, the superstar Tribune is decreasing the resources essential to supply the newspaper, while increasing newspaper first-class and efficiency. "DTI's built-in system, including InDesign and InCopy application, enables accuracy and timeliness of content, in addition to effortless repurposing across media," talked about faith Christine, IT information Publishing programs chief at superstar Tribune. "And that frees us to make investments more production time in the design and satisfactory of the product."
supply: Finite concerns Ltd.
August 14, 2007 eleven:14 ET
GOOCHLAND, VA--(Marketwire - August 14, 2007) - Finite concerns Ltd. (FML), a leading provider of variable statistics publishing software, today brought an optimized edition of its automatic publishing software, PatternStream®, to provide photo designers that use Adobe® InDesign® page design software a more effective option to acquire records from databases, XML information and different sources for data-driven initiatives comparable to catalogs, directories, reference books and different pattern primarily based suggestions for print and digital distribution.
PatternStream makes use of a distinct formulation of viewing facts-pushed publishing initiatives as the merging of a knowledge constitution with a doc hierarchy. This patented technique, developed firstly the usage of the FrameMaker application programming interface (API) has been prolonged to work with the InDesign API and also for producing standalone XML files. The skills of here is that a consumer, as soon as proficient in this methodology, can choose the formatting engine top-rated proper to a given difficulty.
"For years PatternStream has been the most reliable application for establishing complex database publishing initiatives the use of FrameMaker. We now bring this identical versatility to the InDesign web page layout world," talked about Tony Luca, Chief Scientist and vp know-how of FML.
"or not it's extraordinary to peer PatternStream help InDesign and InDesign Server now," noted Chris Kitchener, InDesign Server product advertising supervisor at Adobe. "For years it has labored with Adobe FrameMaker so this prolonged level of guide is a welcomed addition as it helps to additional facilitate the automatic publishing technique for our purchasers."
equipment requirements, Pricing and Availability
informed system requirements for PatternStream three.0 are: Intel® Xeon, Xeon twin, Centrino® or Pentium® 4 or AMD Opteron™, Athlon 64™, or Turion™ processor, Microsoft windows XP or Vista, and InDesign CS2 or CS3 or InDesign Server CS2 or CS3. techniques require as a minimum one GB RAM, 200 MB of free complicated force space, and 1280x860 resolution screen.
PatternStream 3.0 may also be purchased from the FML website for fees beginning at $2,499.ninety nine (US) reckoning on laptop or server atmosphere, InDesign or FrameMaker publishing engine, and PatternStream type, development or runtime.
A free forty five-day trial is presently accessible at http://www.patternstream.com.
FML offers satisfactory, low-priced database and automated publishing and assistance management options for the private sector, government and businesses. FML has wide adventure and knowledge in implementing a wide variety of complex database and automatic publishing techniques.
shoppers encompass Amcor Sunclipse, Columbia Books, eMap, F+W Publications, health net, Inc., Honeywell, Hutton Communications, IMI Cornelius, MediQual, MFS, Mayo groundwork, McGraw-Hill, New Zealand exchange, Nicor gasoline, RAAF AIS, square D enterprise, standard & poor's and the school of San Francisco.
FML is the chief in state and native government funds database publishing and is used to put up city, county, faculty district, and state budgets and other fiscal tips by means of governments in more than 15 states and Canada.
PatternStream is also used to put up price range, economic and statistical guidance for federal executive departments and agencies including the department of defense and the intelligence community.
FML has working relationships with Adobe, CACI, CGI, IBM, Oracle and different OEM and third-celebration resellers to resell and guide PatternStream implementations and enhancements.
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Adobe InDesign CS 2 ACE
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Grep support for find/replace
This may seem really nerdy, but for productions that have people who write AppleScripts to deal with issues, having a powerful Unix regular expression text tool like grep solves a lot of problems. The above apostrophe find/replace would be done with the grep pattern “l’.”, meaning “match l’ and any following character.” If you have an entire phonebook of mistyped phone numbers that appear at the end of the line, it's dead simple to fix with grep:
Enlarge / Previewing the effects of my grep regular expression in the Patterns application. The "$" means "end of line" in grep.
The ability to open QuarkXPress files
This bit of reverse engineering didn’t work on later Quark documents, but most companies debating the switch were probably still on Quark 3 or 4. Output from those could be converted by InDesign. This ensured companies would lose a lot less time when migrating to Adobe's program.
Mac OS X support
Adobe knew this was a biggie, and it was way ahead with OS X support for InDesign.
Anti-aliasing of on-screen text
Considering this was the early 2000s, you got a much better feel for a printed page on a 1280x1024 screen with InDesign's anti-aliasing.
More text wrapping features and manually editable runarounds
The ability to tightly hone finicky runarounds was a big deal.
Nested style sheets
The value of this one also can't be overstated. It used a set of user-created rules to follow for things like formatted lists so you could do back-of-book content like indexes without manually setting each element:
All of the above is handled by one nested style sheet. If you made your living doing stuff like travel guides, this one feature alone was worth a year's salary and your firstborn.
Overprint preview and separations preview:
Previewing postscript overprints in InDesign CS—this would have been done by an expensive proof from your prepress house with QuarkXPress.
Since that could potentially put you over the ink limit for your paper—which causes smearing and can potentially break the paper on Web presses—InDesign CS also had an ink limit warning:
This was the beauty of InDesign CS: it gave you tons of creative tools, plus the technical tools to make sure you were within spec when trying those creative things. The stuff like nested stylesheets and grep gave you formulas to deal with repetitive tasks so you could spend more time being creative.
I know it seems excessive to cover this much of InDesign in an article about QuarkXPress—I probably look like an Adobe shill at this point—but it’s important to understand just how far ahead the competition was. This is the main reason Quark lost its dominant position in the print industry. To sum up how InDesign was received by big clients and how thoroughly it shamed QuarkXPress in every way, here is a lengthy quote from a former colleague of mine Denise "Ace" Williams who spent five years managing production for weekly newspapers that used Quark:
Quark 5 and OS9 was what we were used to, but it was pretty miserable. The things that stick out:
Restarting your computer and losing your unsaved work over software freezes was a regular part of your day. Like, many times a day.
We had all these crazy workarounds to achieve certain effects like drop shadows or change-and-repeat. It was all pretty rudimentary and hard to standardize across many designers in a department.
Shapes were pretty much a non-issue, so we had to do everything supplementary in Illustrator. Text and image display were awful. We printed to see what we were doing.
We were, of course, still importing images directly into boxes by browsing for files from Quark. [Quark only got drag and drop with version 8. Let me reiterate—8 as in “eight.” That’s not a typo.]
Those things are all quantifiable productivity sinks that should have been addressed in Quark 6, but Quark was so comfortable in its position of power that it missed its chance. It put out a mediocre release that forced everybody to upgrade just so they could have a few overdue meager enhancements like compatibility with OS X (for real, that was the big sell, as if it was a treat) and, I think, drag and drop image placement from a finder window. Maybe a drop shadow? The thing is, there could have been more, but nobody remembers stuff that doesn't impact their daily workflow. I think everyone who cared felt like they'd been disrespected by that release.
And then InDesign CS2 was released in 2004 or so, and I remember being at an AAN (Association of Alternative Newsmedia) conference in a room full of production managers from all over North America at a session comparing Quark 6 to the new InDesign. InDesign had so many beautiful, necessary features that it really felt like Adobe had locked users (like us, our people) in a room for a year until they came up with all the right ideas: stability, autosaves, shapes and paths, real image and type representation, drag-and-drop, customizable keyboard shortcuts, effects, repeats. All our habits had been supported and standardized and simplified.
We all actually got emotional. The room was nuts. The Quark reps were humiliated. It was so obvious that all this stuff was going to take the friction out of our departments, which sometimes moved up to 200 ads a day. I remember this PM from Brooklyn sitting beside me who grabbed my arm partway through the demo, and we actually held each other while we listened. CRAZY.
The thing is, the effort and risk of changing a whole company to a new piece of software is so great that that release still wouldn't have swayed us if Quark had actually done its job with Quark 6 and made a competitive update. But it didn't, and the time, job happiness, and financial implications of switching to CS2 were super crystal clear. Everybody did it.
I did it for the Santa Barbara Independent, and it was a months-long process of testing, file conversion preparation, and training to make sure that our conversion week wouldn't implode when it happened. But once you've switched, you're done. As Quark should have known in the first place, it's almost impossible to get people to go back again without a super compelling reason. Maybe they implemented all those awesome things in a later version, but we would never know.
That last line is really the clincher. Having lost its users who only begrudgingly endured it to begin with, Quark would never win them back with a few nice features because of the effort it takes to migrate publications.
The other factors in InDesign’s rise: Price and bundling
When I reviewed InDesign CS, I was also testing the waters to see if we would migrate our relatively simpler fashion magazine from QuarkXPress to InDesign. As if the feature set alone wasn’t enough to snag us, take a look at the prices back then:
InDesign CS: $699.00
QuarkXPress 6: $945.00
QuarkXPress 6 Passport: $1795.00
Adding insult to injury, InDesign CS shipped with all the language features of QuarkXPress Passport. And things got even worse for Quark when, in 2003, you could get InDesign as part of the newly introduced Creative Suite Bundle, which as a publisher or graphic designer, you would have probably bought anyway for Photoshop and Illustrator. You were basically getting InDesign for free—it was a Trojan horse in the bundle box, and I think it really sealed the deal for people on the fence about the switch. The fall of Quark could just as easily read “the very smart business dealings of Adobe.”
A steady path to ruin
In the face of all this innovation and competitive pricing from Adobe, Quark blindly continued to charge too much for upgrades, pretending like nothing had changed. The company offered more meager upgrades at too-high prices and still charged a ridiculous amount for a multi-language version. For our mag, there was no Canadian English version of QuarkXPress ever. When I reviewed InDesign CS1, it also didn’t have one, but this support was eventually added—Adobe fought to win over every user with early versions of InDesign, and it showed. It took Quark until version 7 to add Opentype, Unicode support, PDF-X, and transparency. To repeat that: it took until 2006 for XPress to finally do transparency—without overprints or tricks that meant trips to a PostScript laser printer to see.
To be fair, QuarkXPress did have areas of strength. It had a lead on InDesign in terms of Web support and output. While InDesign stormed ahead with features that appealed to designers and art directors, Quark made a go at including Web features in XPress. The convergence of media was a no-brainer, and I knew of one art director who used Quark for both his magazine output and the Web version of his magazine.
But it was a kind of nuts-and-bolts addition that seemed hard to love for people who loved print. The Web at that time was not the sexy CSS and live-type beast it is now. Instead, InDesign succeeded at getting people excited by the improved and creative print design that you could do, not the fact that you could spit it out for the lesser medium that you begrudgingly knew would eventually put you out of business. I’m sure there were many designers that were excited by the Web, and I had enough time to learn to code and do some interactive Flash stuff. But if you’ve ever lovingly designed a gate-fold double 10-inch LP or leafed through the exquisite, multi-plate and custom-paper pages of IDEA Magazine, it’s hard to get excited by the scratchy window of a jewel-cased CD. The Web was even less attractive in the early 2000s. So giving us features for the Web was a bit like handing an oil painter a box of Corel Painter. Telling them “this is the future” doesn’t make it suck any less compared to what you had before.
Quark also clearly avoided features that treaded the same ground as InDesign, which the company probably thought would confirm its status as the more full-featured program. So Quark 8’s new tools focused on trying to tie press workflows to user workflows to eliminate the need for preflighting, but it was a complicated process that, if you tried to use on a regular basis, would have distracted you by false positives while you should just be doing layouts with decent tools.
InDesign Creative Cloud: Echoes of Quark
All this love for InDesign could be read as a ringing endorsement for the current versions of Adobe’s flagship layout program, but that’s definitely not the case. InDesign is not perfect, and Adobe’s abysmal Creative Cloud license policy has really shown the company's true colors when it comes to exploiting monopoly.
With my main magazine contract, we tried to make the switch from InDesign CS5 to CS6 because we, like everyone else, wanted to avoid hooking up to the great wallet-milking machine that is the Creative Cloud rental model. Quickly, it became clear that this couldn’t happen. The application crashed a ton when linking Incopy text, a problem reported in CS5.5. But Adobe apparently couldn’t have been bothered to fix it, and I’m sure it’s probably getting plenty of attention now that Adobe holds the keys to InDesign Creative Cloud documents. Sound familiar? A leading company gets too comfortable and stops paying attention. The shoe is apparently on the other foot now. Like the XPress days of yore, our publication is using InDesign (CS5) to avoid a company's cash-grab. Adding insult to injury, today's InDesign still lacks an alien that can zap my text boxes with flair:
Those last QuarkXPress holdouts don’t seem so shortsighted these days. Unless Adobe changes its path of user neglect and profit at all costs, some of us could be joining forces with the aliens yet again. Hopefully, QuarkXPress’ demise is one big lesson that all software publishers, no matter how dominant, have internalized: listen to your users and respect them.
This application contains video tutorials on the Adobe Creative Cloud by Terry White and other industry experts and trainers. Most of the tutorials are 5-10 minutes and they are designed to show you how to do a particular task in one or more of your Adobe Creative Cloud applications. Some tutorials will also show you how to use multiple apps together, which is one of the main benefits of being a member of the Creative Cloud. The tutorials in this app cover a range of topics including Photoshop, InDesign, Acrobat, Muse, Premiere Pro, After Effects and everything in between.
As a bonus for digital photographers there are also tutorials for Adobe Photoshop Lightroom. You’ll also get to watch industry events and Adobe keynotes such as the Adobe Photoshop World Keynote.
Learn shortcuts and get up to speed with your Adobe apps quickly. Learn tips and techniques that will put you ahead of your competition and learn how to create your files the right way.
Your app will continue to be populated with new tutorials as they are produced and bonus material not available anywhere else.
Your host Terry White has been training designers and photographers for over 20 years. He is an Adobe Certified Expert and author of InDesign CS/CS2 Killer Tips, Secrets of Adobe Bridge and The iPhone Book . He has trained audiences all over the world.
(Please note, not all features are available for all episodes. This app is compatible with the iPad, iPod Touch and iPhone, but the call-in feature is only available on the iPhone)
SAN JOSE, Calif.--(BUSINESS WIRE)--Nov. 1, 2005--Adobe Systems Incorporated (Nasdaq:ADBE) today announced that its award-winning page design and editorial software applications, Adobe(R) InDesign(R) software and Adobe InCopy(R) software, are being embraced worldwide by systems integrators and independent software vendors (ISVs) and their customers for newspaper publishing. These Adobe licensed systems integrators and ISVs include: Advanced Publishing Technology; Advanced Technical Solutions, Inc. (ATS); Atex; Digital Technology International (DTI); Harris & Baseview; Managing Editor Inc. (MEI); SAXOTECH; Unisys; and WoodWing Software.
Integrators and ISVs are using Adobe's flexible page layout and copy-editing software as an integral part of their overall editorial, advertising, and pagination solutions to help newspapers streamline publishing. By offering improved collaboration between editors and page designers, the combined InDesign and InCopy solution helps optimize design creativity and quality in an efficient, integrated workflow.
Newspapers Worldwide Continue to Move to InDesign and InCopy
Newspapers of all sizes have adopted workflows based on Adobe InCopy CS and InDesign CS software and are now moving to InCopy CS2 and InDesign CS2. Large newspapers adopting systems based on Adobe software include DTI customers La Nacion in Argentina, Pittsburgh Post Gazette, and Star Tribune in Minneapolis/St. Paul, as well as the Guardian in the United Kingdom, a WoodWing Software customer. Medium-sized newspapers, including Charleston, South Carolina's The Post and Courier, an ATS customer, and WoodWing Software customer The Albuquerque Tribune have also implemented solutions based on Adobe InCopy CS and InDesign CS. Niche newspaper Dose in Toronto, a Harris & Baseview customer, is planning to convert its workflow to Adobe InCopy CS2 and InDesign CS2 software.
"In the past, newspapers had to choose between productivity in managing their information with more than one person working on a page or story at the same time, or go for a design-lead approach with a system built around a single-user desktop publishing application," said Alyson Williams, marketing director at DTI. "With publishing systems based on Adobe InCopy and InDesign, DTI has been able to give customers database assets and a stunning array of creative and copy-editing tools in a single, integrated system that saves hours each day in overall production workflow."
Integrators, ISVs, and newspaper publishers cite several reasons for their move to publishing systems based on Adobe InCopy CS2 and InDesign CS2: tools that enhance design quality; tight integration with other components of Adobe Creative Suite 2 such as Adobe Photoshop(R) CS2, Illustrator(R) CS2, and Acrobat(R) 7.0 Professional software; ease of repurposing print content for electronic delivery; and robust workflow automation through XML and comprehensive scripting languages support for more efficient reuse of existing content and layouts.
"There has been a significant shift in the market toward Adobe based solutions," said Briggs Kilborne, president at Harris & Baseview. "Customers want the flexibility of Adobe InDesign, Adobe InCopy, and the Adobe Creative Suite integrated into best of breed workflow systems like IQue and Jazbox."
Star Tribune Moves to Unified System based on Adobe Software
The Star Tribune, one of the 20 largest newspapers in the United States, has implemented a DTI system to support editorial and advertising activities. By standardizing on an integrated system, including a unified database as well as page design and copy-editing software from Adobe, the Star Tribune is reducing the resources needed to produce the newspaper, while increasing newspaper quality and efficiency.
"DTI's integrated system, including InDesign and InCopy software, facilitates accuracy and timeliness of content, as well as easy repurposing across media," said Faith Christine, IT News Publishing Systems Leader at Star Tribune. "And that frees us to invest more production time in the design and quality of the product."
About Adobe Systems Incorporated
Adobe is the world's leading provider of software solutions to create, manage and deliver high-impact, reliable digital content. For more information, visit www.adobe.com.
(C) 2005 Adobe Systems Incorporated. All rights reserved. Adobe and the Adobe logo, Acrobat, Illustrator, InCopy, InDesign and Photoshop are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries. All other trademarks are the property of their respective owners.
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